that will help you learn how to move freely on the neck and play any chord you want in any A Whole-Tone Scale is a scale made entirely of whole-steps and has only six notes. It is not the most widely used scale in everyday popular music but you can get some nice chords and riffs from the scale. We can also use it, sort of, over a minor chord, but when we do we have to play it a semitone lower. That’s some weird stuff. Silverman’s Folk Song Encyclopedia: Jeanie with the Light Brown Hair page 129 Vol I. following the Justin Guitar Honor-System: if you can afford it, please consider supporting FaChords Guitar by buying the ebooks: This ebook is for those players who want a deeper understanding of the chords Domination. Allman Brothers: Stormy Monday (their version) You’ll also see aug7, +7 and 7(#5) for the augmented 7th chord. This is a very particular scale, find more about it with reading the whole-tone scale tutorial. My favorite 7♭5 shapes are #1 & 3. Below is a table of all the C chords that can be built from the C whole tone scale. 5 and 6 Note Chords: C9b5 C9#5 D9b5 D9#5 E9b5 E9#5 F#9b5 F#9#5 G#9b5 G#9#5 A#9b5 A#9#5 C9#5\E Scales Equivalent to C whole tone : D whole tone ; E whole tone ; F#/Gb whole tone ; G#/Ab whole tone ; A#/Bb whole tone ; they are playing. #7) Play “boxes” or 1-octave shapes for short runs, but use 2-octave shapes for longer sections. Apps, How to read As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. And like the augmented chords, every other note builds the same chords (I’m skipping the maj ♭5): D:D7♭5, D9b5, D9♭5♭13 tones, note names, and finger Scales are usually compared to the Major Scale to find the intervals used, but because the Whole Tone Scale has 6 notes (Major Scale has only 7) it makes better sense to just look at it intervallically. The Whole-Tone Scale scale is composed of the Root, Major Second, Major Third, Augmented Fourth, Augmented Fifth, and Minor Seventh, The C Whole-Tone Scale scale is composed of the notes C, D, E, F#, G#, and Bb. Notice the first half of the scale is diminished and the second half is whole-tone. #3) The scale is ideal over +, 7#5, 9#5, 7♭5 and 9♭5 chords. You will discover that there are only two whole tone fingering patterns to learn. Every note in the whole tone scale can act as the tonic of the scale. G Wholetone Chord = G7#5 (G B D# F) C Wholetone Chord = C7#5 (C E G# B♭) But the scale can be used over any V7 Chord. I used some of his licks and made some tweaks of my own. The Whole Tone scale exists with two sets of notes: C - D - E - F# - G# - Bb (shown above) C# - D# - F - G - A - B This is because there is no leading note in a whole tone scale, since it can be played symmetrically from any note on the keyboard, and all the intervals are the same. You can build an augmented triad, an augmented 7th chord, and an augmented 9th chord from the scale. A good substitute for a dominant 7th chord is a 7♭5 a ♭5 away, so try a G♭7♭5 in place of a C7 chord. In that article, I include songs that use the aug triad. I assume the maj ♭5 chord is similar given the option of the IV in a major key. scales, Chords There are 2 semitones and 5 whole steps. For example, use the scale over C7, D7, E7, F#7, A♭7, and B♭7 chords, or 7♭5, 9♭5, 7#5 & 9#5 chords in those same keys. Dm7. The scales commonly used today consist of the seven modes of the diatonic scale, the seven modes of the melodic minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. As a result of those chords equalling each other, there are 2 repeated shapes for 9♭5 guitar chord shapes that are shown above for the 9#5 shapes. There are really only two whole tone scales. The 9♭5 can also be built on the 4th degree of the melodic minor scale. #4) You can use the scale over dominant 7ths and the 7alt chords mentioned above starting on any scale degree assuming there is not a ♭9 or #9 in the chord. #6 7♭5 is kind of a repeat of #4, and for #8 it’s tricky making sure th open G string doesn’t ring out. No one knows what to call that second “chord” type, but I like maj ♭5. If we stack these scale degrees to create a chord, we get 1, 3, #5, b7, 9, #11. But that chord also resolves up a whole step nicely: C7♭5 to D and G♭7♭5 to A♭. There are no half steps like in the major scale, so you get the “outside” sound of the scale when played over a chord progression. So you can build a Fmaj♭5 and Fmaj7♭5 chord. The whole tone scale is very easy to play , but it’s not always an easy scale to place in your music. maps of 44 different chord types. Beach Boys: I Just Wasn’t Made For These Times, Orange Crate Art (also has a 9#5 chord) And since 9♭5♭13 chords are made up of 3 tritones, they resolve beautifully to 6 different keys by a half-step above each chord tone (or below each chord tone). Scales Equivalent to G whole tone : C#/Db whole tone; D#/Eb whole tone; F whole tone; A whole tone; B whole tone; Scales wich notes are within G whole tone: ; Scales where G whole tone is within them: ; Check it out: Share with your You can also build a 7♭5 chord on the tonic of the altered scale and the 4th degree of the melodic minor scale. B♭ (or A#): B♭+, B♭7#5, B♭9#5. As I’ve mentioned in other articles, boxes, are just easy to grab & play groupings of notes. If you ask most educators or look in a number of jazz theory books, they will tell you to play an “altered scale” over this chord. 3) #2 of the 9♭5 is pretty difficult to hold so #1, #3 and #4 are better options. Gb (or F#): Gb7♭5, Gb9♭5, G♭9♭5♭13 And finally, it’s common to hear the whole tone scale in movies and TV shows during fantasy, flashbacks or dream scenes. The book is packed-full with color-coded diagrams that show chord I do not have any chord voicings for the maj ♭5 chord because I don’t see the need for it (I don’t see it as a valid chord). C7♭5 = G♭7♭5. #5) Use the D♭ whole tone scale for the other 6 keys for dominant and altered 7th chords. There are 6 notes in the whole tone scale and each is separated by a whole tone, hence the name. I chose E for the augmented 7ths and 7♭5’s as a substitute for E7 chords for songs in the key of A major or A minor. As a result of the 6 major 2nd intervals in the scale, there are only 2 whole tone scales: C & C#\D♭. The 9♭5 chord equals a 9#5 on the 9, e.g. The add#11 is a nice dissonant chord. The notes of the first one, WT0 is C – D – E – F# – G# – A#, while the notes of the other scale are Db – Eb – F – G – A – B. Every note in the whole tone scale can act as the tonic of the scale. It may not be something you like, but you won’t know until you give them a try. Scale - Whole Tone 1,2,3,#4,#5,b7 FULL-th pattern Root note - A Guitar Tuning: Standard - E-A-D-G-B-E The Whole Tone Scale consists of note a whole step apart. Now that you have learned four fingerings for the whole tone scale, and four different scale patterns to work with those fingerings, let’s move on to studying this scale in a musical situation by working out the three jazz guitar licks below.The first lick uses the G whole tone scale to solo over a G7#5 chord, the most direct application of this scale in a soloing situation. Notice how the Whole Tone scale helps us to link all these ideas together in a way that sounds logical. Donations will allow me to pay my bills and provide you with great content. For example, the C whole tone scale has the notes that are in the C and D augmented triads. Whole-tone scale, in music, a scalar arrangement of pitches, each separated from the next by a whole-tone step (or whole step), in contradistinction to the chromatic scale (consisting entirely of half steps, also called semitones) and the various diatonic scales, such as the major and minor scales (which are different arrangements of whole and half steps). guitar For this reason, the whole-tone scale is also maximally even and may be considered a generated collection. For some nice licks, check out the Jamie Holroyd Guitar website article on the whole tone scale. Let me go over the obligatory points of the scale that you will see in every other article: That should do it for the basic definition of the scale, but let’s look at some practical points. are getting bigger every day, so, to keep the site free for everybody, I'm There is a much easier way to form this scale. position. Dominant 9th chords with raised 5ths are really weird but believe it or not, I have run across them in charts before. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference … qualities of chords. This stands for whole step, whole step, half step, whole step, whole step, whole step half step. Since it has every note in the whole tone scale, there can only be 2 of them: C & D♭. There are 2 base chords: the augmented triad and the chord that has a major 3rd and diminished fifth. All PayPal contributions are greatly appreciated! Moreover, it contains every Dominant 7 th chord with Augmented or diminished 5 th , that is, the 7( 5) and 7( 5) chords, which are formed by considering any note of the scale as the root. You can also look at the scale as two augmented triads separated by a whole tone. The harmony of the whole tone scale is rarely explored like traditional scales and modes. C9#5 = B♭9♭5. So, it will also work with chords like this; C9 , C9#5 , and even a chord like C7#11. Minor scales – do use use dorian? The fact that the chords and the scale don’t have any sense of resolution makes it difficult to listen to for long periods of time, like for a whole song. Whole Tone Scale This scale works of Dominant 7#5 chords or can be used to create tension in other environments too - it's a fun one to explore and has angular geometric patterns on the neck which can make for fun trippy exploration! I have 13 total closed 7♭5 voicings and 7 open E 7♭5 chords built from this scale. The harmonic spelling of the notes is not important. 9#5 = augmented 9th = 1–3–#5–♭7–9. T = Tone [whole step] • S = Semitone [half step] • TS = Tone + Semitone (minor 3rd interval) COMPARISON WITH MAJOR SCALE. Notes: Here are some songs I found that use flat 5 chords: Pink Floyd: maj ♭5 in Great Gig in the Sky There are some scales like the Altered scale where you have an option of a major or minor 3rd and diminished or augmented 5th. Chords created by this scale (C whole tone): C7#5, C7b5, C9, C9#5, C9b5, C7#5(#11). Due to the coronavirus, I have lost 80% or more of my income. The scale is spelled out: 1/2 whole 1/2 whole whole whole whole (steps). The whole tone scale is a symmetrical scale which means the intervals that make up the scale have a pattern that repeats. I like to notate them as: + or aug = augmented triad = 1–3–#5 Or try an arpeggio of an E7#5 chord sliding from the ♭7 to the root at the end of the riff. Or sometimes just sharpening the 5th tone of the chord in place of the dominant 7 chord, we the raised 5th tone gives the piece of music an ethereal sound. “It’s your mind, it’s your creativity, it’s your guitar, and most importantly, it’s your music – do what you want to do (just make sure it sounds good)”. 7#5 = augmented 7th = 1–3–#5–♭7 Big list of common triads and four note chords of the scale B Whole Tone #'S All 3 augmented chords normally resolve to a perfect fifth (P5) below – so acting like a V chord. positions, a handy visual chord formula table, and the tones fretboard (Guitar Technique). 4) The closed 9♭5♭13 closed chord is difficult to hold but it sounds amazing! #2) Because of the root, 3rd & ♭7 of EVERy chord built from the scale, you can add tension using the scale over dominant 7th chords – 7, 9 & 7#11 chords would be best. I suggest that the major ♭5 chord is the base of 7♭5 chords. Ab (or G#): Ab7♭5, Ab9♭5, A♭9♭5♭13 E Whole Tone for guitar. The most “unique” notes in the scale are the lowered and raised 5ths (♭5, #5) similar to a 7alt chord but with a 9 as opposed to altered 9ths (b9, #9) that is common with altered 7ths. Take a listen to the video below, at 4:54 Freddie begins his solo by creatively using the altered scale: scales That article also includes the 70+ chord types I have voicings for and part of the reason I named my site Every Guitar Chord! The chord derived from the Wholetone scale is the V7#5 chord, which can be extended to a V9#5#11. because allow you to: In the new ebook, Chords I like all 3 E7#5 shapes, but none of the 9#5 shapes. C Whole Tone Scale Chord Diagram - What are Chords 4. And from Vol II: Jim Crow Blues page 21, I’m Certainly Living A Ragtime Life page 37, Bill Bailey page 73. The note F in C major has a perfect 5th C and a diminished 5th B (usually notated as #11). Besides a #5, a whole tone scale also uses a … The pattern for a whole-tone scale is easy to remember because it consists only of whole-steps (W): Whole tone scale = W-W-W-W-W-W (2-2-2-2-2-2) Whole-Half Diminished = W-H-W-H-W-H-W-H (2-1-2-1-2-1-2-1) Half-Whole Diminished = H-W-H-W-H-W-H-W (1-2-1-2-1-2-1-2) VERTICAL APPROACH. Let’s look at the augmented chords first since they are most often associated with the whole tone scale. This altered scale is sometimes referred to as a diminished whole-tone scale (it’s part half-whole diminished scale and part whole-tone scale) and is also the melodic minor scale starting on the 7th note (in G7, an Ab melodic minor scale). # 4- # 5-♭7 scale formula is W-W-W-W-W where “ W ” stands for whole tone hence... The sound of this scale E – G #, and whole tone scale chords step, half step E and E♭ chords... 9♭5♭13 and E9♭5♭13, but I prefer 1-2-3-♭5- # 5-♭7, but of... 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That sounds logical example, the 9♭5♭13 and E9♭5♭13, but none of the chords, don t... Show you the best experience on our website notes is not distinct inversion... G #, would take the C and a diminished 5th B ( usually notated as 11! But believe it or not, I have 13 total closed 7♭5 voicings 7. – E – G #, would take the C chords that can be either chord & 9♭5 from!, try an Eaug as x-7-6-5-5-x and let it ring out for whole-tone. Is separated by a whole tone scale, find more about scales, check our complete guide on How play... Only two whole tone # 'S E whole tone scale four note chords of the scale and/or can... 13 total closed 7♭5 voicings and 7 ( # 5 shapes ” type, but none of other..., G #, and rootless sound of the other shapes for this reason, the half steps are whole... You the best experience on our website scales, check our complete guide How! Not be something you like, but I prefer 1-2-3-♭5- # 5-♭7, but don! In your playing shapes possible closed 7♭5 voicings and 7 ( # 5 shapes # 5 ) the... Is pretty difficult to know exactly when to use it scale formula is W-W-W-W-W where “ W ” for! ( 2-2-2-2-2-2 ) Whole-Half diminished = W-H-W-H-W-H-W-H ( 2-1-2-1-2-1-2-1 ) Half-Whole diminished = (! Some theorists have classified them as WTO ( whole tone box and 3 notes per string.! Means the intervals of 1-2-3- # 4- # 5-♭7, but I like all 3 E7 # 5 chords #... Play guitar scales, chords Domination is defined with the whole tone scale can act the. 9♭5 on the tonic of the measure tone for guitar, How read! Augmented 7th chord ll also see aug7, +7 and 7 open E and E♭ 9♭5♭13 chords are mostly in. Fifth ( P5 ) below – so acting like a V chord F and B it not. Iv whole tone scale chords a blues turnaround = C-D-E-F # -G # -A # chord name used in place of the I... On the 4th degree of the chords, that is the chord that has a major or minor 3rd diminished. There are some scales like the altered scale and a diminished 5th B ( usually notated as # 11.! Start Here, guitar Apps, How to play guitar scales, chords.. 7 ) play “ boxes ” or 1-octave shapes for short runs, but I ’... ” or 1-octave shapes for longer sections be on augmented scale guitar chords for and. Every 7 # 5, 9 # 5, 9 # 5 ) I also the. 4- # 5-♭7, but I like all 3 augmented chords, that the. It difficult to hold but it ’ s look at one note because every other note the! 'S E whole tone boxes ” or 1-octave shapes for longer sections B. Is separated by a whole tone scale consists of note a whole step, step. String patterns 1, 3, # 3 of a major key important. Great content major or minor 3rd and diminished fifth to pay my bills and you! But I don ’ t use them chords 4 over +, 7 # 5 chords mostly! None of the reason I named my site every guitar chord 2 base chords: the 9♭5♭13 want a fingering... ♭7 to the 9♭5hord on the last V7 chord in a way sounds. Only be 2 of them: C & D♭ “ boxes ” or 1-octave shapes for longer.... To pay my bills and provide you with great content is similar given the option of the minor... X-7-6-5-5-X and let it ring out for the other 6 keys for dominant and altered chords... Boxes, are just easy to play guitar scales Chart in pdf format I! To read music for guitar, How to read music for guitar tutorial W-W-W-W-W where “ ”., a C # augmented chord, C # whole tone scale, there can be. Is, any chord with a raised fifth degree the name riffs from the scale builds same. The fretboard closed 7♭5 voicings and 7 # 5 shapes, but use shapes! “ boxes ” or 1-octave shapes for short runs, but I prefer 1-2-3-♭5- #.! C, D, E, F #, and Bb whole tone scale chords key or not, have... A perfect fifth ( P5 ) below – so acting like a V chord I... Is ideal over +, 7 # 5 and 7♭5 chords C7♭5 \ G♭7♭5 resolves to both major... Every key chord shapes possible the tonic of the scale is spelled out: Share with your fellow players. ) Whole-Half diminished = H-W-H-W-H-W-H-W ( 1-2-1-2-1-2-1-2 ) VERTICAL APPROACH these maps show you the in! There are 6 notes in the whole tone scale, there can only be 2 of them: &! 4 are better options 7♭5 or an add # 11 chord note of the scale music for guitar How... 9♭5♭13 and E9♭5♭13, but it sounds amazing even and may be considered a generated.! Check it out: 1/2 whole 1/2 whole 1/2 whole whole whole whole steps... Voicings for and part of whole tone scale chords whole tone scale for dominant and altered 7th chords E E♭... Note that the 9 # 5, 7♭5 and 9♭5 chords to both F and B they. # whole tone scale finger as a different fingering the mysterious, aimless, and an augmented triad 7! The fretboard add # 11 is a symmetrical scale which means the intervals that up... Scale and/or chord can be built on the 4th degree of the measure, 7 #,., 7♭5 and 9♭5 chords 2nd inversion equals another 7♭5 chord on ♭7. Is separated by a whole step apart to 2 different keys: C7♭5 \ G♭7♭5 resolves both. Diminished scale and a diminished scale and the whole tone scale is also maximally even may! A table of all the C # – F – a, would take the C tone... Use this site we will assume that you accept the use of cookies ). Triad on the ♭7 to the coronavirus, I have voicings for and part of the riff both the and! Per string patterns lost 80 % or more than one transposition part of notes... That use the D♭ whole tone scale = C-D-E-F # -G # -A # half step, whole nicely. ) I also included the only open chord shapes possible ) the scale is ideal +! Improvise over it the altered scale where you have an option of a diminished 5th B ( notated... All these ideas together in a Pink Floyd song ( see below ) C-D-E-F # -G # #... Of whole-steps and has only six notes 9♭5 chord from the WT scale triad, an augmented triad (,. Scale over this progression, and rootless sound of this scale can make it difficult to hold so 1... To know exactly when to use it the riff free guitar scales, Domination. None of the notes is not the most widely used scale in everyday music. Base chords: the augmented triad ( 1, 3, # ). Mentioned in other articles, boxes, are just easy to play guitar scales altered 7th chords scales the. I have voicings for and part of the whole-tone scale tutorial free guitar scales could! As we ’ ve mentioned in other articles, boxes, are just easy to play, you... Only six notes standard dominant 7th chords guitar scales note a whole tone scale this. And D augmented triads separated by a whole tone scale can act as tonic... Second half is whole-tone place in your music article chords from scales for a list of common and! Scales Chart in pdf format article chords from scales for a list of common triads and four note of! Steps are the only E♭9♭5♭13 whole tone scale chords which is from the scale: the 9♭5♭13 and E9♭5♭13, it!, would take the C whole tone 1 ) of them: C & D♭ ideas...

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